bigstar

    When all that Beatles stuff came out a coupla weeks ago, mountains of hyperbole, most of it warranted, were tossed around. For example, many people remarked that the band’s creative evolution was the broadest in all of rock. From their conventional beginnings, through their psychedelic studio alchemy to the majesty of Abbey Road’s side 2 suite, it’s hard to dispute that The Beatles covered more ground in their seven or so years then any had before them or has since.

    On the other hand, maybe that’s something of a rigged accolade. There was a lot of room for rock n’ roll to open up in the early sixties. Throughout the decade, many artists pushed boundaries and pioneered innovations. The Beatles, with their vast financial resources and army of “best-in-the-biz” studio mechanics, could easily streamline cutting edge-trends into their sound.

    The Beatles were a great band, and if anyone deserves the “best-of-all-time” title, it’s those lads, but isn’t their embodiment of the 60′s sound more a result of their ability to follow trends than build them?

    Consider a band like Big Star. In three short years, Big Star went from upbeat power-pop to music that was despaired, esoteric and nigh unclassifiable. This did not go-with-the-proverbial flow of their contemporaries. Big Star cultivated their own sound and subsequently evolved via their own aspirations and frustrations. Sure, they proudly wore their influences on their sleeve (Velvet Underground, The Kinks and yes, The Beatles.) What separates their evolution from a band like The Beatles is that Big Star didn’t streamline. In fact, they seemed incapable of making their music palpable for mass  audiences. Their third (and dare I say best) album didn’t see release for a half a decade after its creation because labels deemed it “un-listenable”.

    So, speaking of Big Star, Rhino’s Keep An Eye on the Sky release of just about everything you could ever want or need by the band is an absolute must-own. I didn’t realize how in-need of a clean-up job their material was before listening to the glorious job the ever-reliable Rhino has done with Big Star’s material. You know how a sip of water can make you realize how thirsty you’ve been? That’s the sort of sensation one has listening to this set for the first time.

    In honor of this fantastic release, we’ve compiled a list of what we consider to be highlights from the set.

    1. “Oh My Soul” – The opening track of Radio City, Big Star’s second album, is one of their finest. Lively and jaunting, it features some of Alex Chilton’s most creative songwriting and guitar work. The remastered version’s added fidelity highlights the nuance of the song’s arrangement.

    2. “Downs (demo)” -  In it’s official incarnation on Third/Sisters Lovers, “Downs” is a particularly eccentric piece. It sounds  both over and under-produced. The demo version, a simple and straight-forward solo-acoustic rendition, reveals a tight structure and fantastic melody. Both are on the box set. Compare and contrast!

    3. “Hot Burrito #2 (live)” & “Slut (live)” – Big Star weren’t shy about covering their favorite songs. On these versions of songs by The Flying Burrito Brothers and Todd Rundgren respectively, Big Star meet the originals halfway by not corrupting their essences while making them their own.

    4. “I Got Kinda Lost (demo)” – Contrary to the stripped-down “Downs” demo mentioned earlier, this version of “I Got Kinda Lost” features the whole band performing the song together. The raw and immaculate performance is invigorating, leading up to a highlight of the entire box-set. “How was that?” asks a member of the band at the song’s conclusion.

    “It’ll do” replies what I can only assume is an engineer or producer, making the understatement of the 70′s.

    5. “For You” - I hate to use the word sublime, but it really describes this song. Composed and sung by drummer Jody Stephens, it’s a simple tribute to the object of Stephens’ affection. “For You” features a haunting string arrangement that benefits greatly from Keep an Eye on the Sky’s remastering job. This track is reason enough alone to buy the set.

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    2 Responses to “Top Five Reasons To Own Keep An Eye On The Sky”

    1. 1 Terry B Says:

      I don’t know. I mean BS are one of my touchstone pop bands and certainly worthy of all the critical spooge they’ve been tossed, but I’m on the fence with the box set. Unless I want to triple my current investment by getting the vinyl reissues for a modest fidelity increase that would be lost once they were ‘dropped to MP3 for the car, I can’t see a lot of benefit in the extras that I can’t get from the fantasy twofer and Ryko Third reissue. I’m mostly afraid that the classic (#1R, RC, SL/3RD) material has just had a hot mastering done to make it more modern. That Robyn Hitchcock box set (#1, have all the vinyl from the second set) begs for the investment a little more. Convince me otherwise?

      TB

    2. 2 Herb Says:

      Well, it really comes down to how much you like either artist. The Hitchcock box is fantastic as well. As far as The Big Star stuff goes, it’s more than a “hot mastering”, I assure you. These songs have really been cleaned up to a much higher standard than the previously available versions. Also, if you’re a fan, the demo’s, rehearsals and live tracks are fascinating and enjoyable to listen to more than once.

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